Welcome to Spling Movies

Welcome to Spling Movies

Custom Search
Banner
Banner
South African Celebrities Born and Bred in Germiston


For a place with a small-town vibe Germiston has spawned more than its fair share of famous people.  Some are activists who jeopardised their personal freedom to help create a more just and equitable South Africa.

Others are vibrant, bubbly personalities who have blown us all away with their stellar performances on TV, radio and the silver screen.

Our city on the East Rand may not be an economic hub, vital port or the Tavern of the Seas but it is the equivalent of the online slots at the casino that always have a few dazzling gems hidden on the reels.

Who are the standout celebrities born and raised in Germiston?  Let’s take a look at four Germistonians who have made a major impact in their chosen careers:

Jeannie D

Jeannie de Gouveia aka Jeannie D is arguably one of South Africa’s most famous personalities.  She waltzed into most our lives as a radio host on Good Hope FM.  Her distinctive voice, way with words and ability to tackle the most contentious issues with fairness and unanimity made her an overnight radio sensation.

From radio the young Jeannie made the great leap to TV where she wowed with her stunning good looks and relaxed and natural disposition.  Her time with Top Billing, Afternoon Express and later the Top Travel Show catapulted her into the realm of super stardom.

Who can forget her interviews with the big names of Hollywood like Keanu Reeves, Laurence Fishburne and Kevin Spacey - interviews that had the stars completely captivated with her sincerity and charm.  Or the way she took us all along with her to some of the most remote and exotic travel destinations on earth!

From the small screen Jeannie stepped up to the silver screen where she played the part of a bank assistant in Mercenary for Justice, a feature film shot in Cape Town starring Steven Seagal.  She also co-hosted the annual South African Film and Televisions Awards (SAFTAs).

The lovely Jeannie D may have departed our TV screens but the effervescent 37-year-old from Germiston is now a budding entrepreneur with her own gin distillery and Swiss manufactured perfume.

Bertha Gxowa

Bertha Gxowa spent her life fighting for freedom.  As a young woman just out of school she joined the Defiance Campaign, a campaign that demanded the right for black people to travel freely in their own country.

Her defiance of the apartheid pass laws landed the young 18-year-old in jail but even that did not deter the determined young woman from Thokoza from following her heart.  On her release from prison Bertha became an active member of the ANC Youth League.

She was also a founding member of the Federation of South African Women, a group that led the now legendary 1956 Woman’s March to the Union Buildings in protest of the pass laws. Her election to the provincial executive of the ANC and her involvement in the march got her into trouble with the law yet again - and this time she was banned for 11 years under the Suppression of Communism Act.

Bertha spent much of her time working on community upliftment projects until the unbanning of the ANC in 1990.  She then became involved in re-organising the Katlehong branch in Germiston, a job she did with her usual enthusiasm and aplomb.

Her success at grass roots was emulated in the higher echelons of power.  She became the national treasurer and chairperson of the ANC Women’s League in Gauteng.

She also became a Member of Parliament - a fitting tribute for an extraordinary woman born and raised in Germiston.  Bertha Gxowa, the fearless freedom fighter and campaigner for women’s rights, passed away in 2010.

Ernie Els

With his laid-back demeanour, easy golf swing and affable smile Ernie Els is one of South Africa’s favourite sportsmen.  The Big Easy, who hails from Lambton in Germiston, is also one of the most successful professional golfers the country has ever produced.

Under the watchful eyes of his dad Neels, Els learnt the finer points of bogeys, birdies and eagles on the Germiston Golf Course.  By the time he had reached his 14 th birthday Ernie had a scratch handicap - a harbinger of things to come for the tall, lanky lad.

Today Ernie Els boasts 71 career wins, four of which are majors.  He is one of only six golfers ever to have won two British Open Championships and two US Open tournaments.

The former world number one from Germiston has bagged the World Match Play Championship an astonishing seven times - more than any other golfer in the history of the sport - and has deservedly taken his place in the World Golf Hall of Fame.

Els has banked more than $49 million on the PGA Tour and over €28,6 million on the European Tour.  He has also coined it in terms of sponsorship deals.

Ernie Els the golfer is a hugely successful golf course designer and winemaker and he owns homes in the UK, the USA and South Africa - not bad for a guy from Germiston?

Thembsie Matu

Thembsie Matu is an actress, stand up comedian and one of the nicest people you’ll ever meet.  Born in Katlehong, the darling of South African TV has featured in a litany of local dramas and soaps that vary from Tshisa, The Lab and Rhythm City to Queen, Zero Tolerance and Zone 14. Matu has the inimitable ability to add humour to virtually every role she plays, an ability that has spurred her on to trying her hand at stand-up comedy.

The veteran actress is probably best known for her role as Petronella in the TV show Queen, a quirky and often hilarious personality who has choice words for her wayward hubby and is always willing to give a bit of ‘interesting’ advice.

Thembsie Matu has a big-hearted personality that everyone adores.  Along with her broad smile, contagious laugh and awesome talent, the fabulous femme fatale from Germiston credits her stellar success to her work ethic and positive can-do attitude!

 
Three Breakthroughs for the South African Film Industry


The 2010s saw African films make even more headlines at the world’s biggest festivals, from AFI to Berlin, Sundance to Toronto, earning Oscar and Golden Globe nominations along the way. Here are three global breakthroughs, now available to stream on Showmax.

Breakthrough animation: Revolting Rhymes (2016)

“I guess you think you know this story. You don’t. The real one’s much more gory.”

Roald Dahl’s classic collection of twisted fairy tales was brought to life in Cape Town by Triggerfish, who animated Revolting Rhymes for Magic Light Pictures alongside Magic Light’s Berlin office.

Like Dahl did, the animation has reimagined the familiar stories anew, structuring them around the friendship of the pistol-packing Red Riding Hood (BAFTA winner Rose Leslie from Game of Thrones and The Good Fight) and her resourceful best friend Snow White (Screen Actors Guild nominee Gemma Chan from Crazy Rich Asians and Captain Marvel). The Big Bad Wolf (Golden Globe nominee Dominic West from The Affair and The Wire), seven jockeys with gambling debts, and three property-developing pigs all feature, as does Cinderella’s fairy godmother, Jack and a beanstalk, and his nasty mother.

Directed by Jakob Schuh (Oscar-nominated for The Gruffalo) and Jan Lachauer (Oscar-nominated for Room on the Broom) and co-directed by Bin Han To, Revolting Rhymes was nominated for an Oscar and won some of the world’s biggest animation awards, including the International Emmy Kids Award for Animation; Best Animation at the BAFTA Children’s Awards; Best Animated Special at the Annie Awards; and Best One-Off Special at Kidscreen.

Special mentions:

:: Triggerfish also animated three adaptations of Julia Donaldson and Axel Scheffler classics as BBC Christmas Specials with Magic Light. All similarly won multiple international awards, with Stick Man (2015) winning at Annecy and Kidscreen, The Highway Rat (2017) at Rose d’Or, and Zog (2018) at New York International Children’s Film Festival - and currently nominated for Annie, Kidscreen and International Emmy awards in 2020

:: Triggerfish’s movies Adventures in Zambezia (2012) and Khumba (2013) became the most successful South African film exports in 30 years, translated into 27 languages, licensed in over 150 countries, and generating over R1 billion

:: Munki and Trunk (2016), produced from Cape Town by Sunrise, became a YouTube phenomenon, racking up over two million subscribers

Breakthrough documentary: Whispering Truth To Power (2018)

With exclusive, behind-the-scenes access, Whispering Truth To Power charts the final year in office of South Africa’s public protector Thuli Madonsela as she attempts to seek justice for ordinary people.

After successfully challenging President Jacob Zuma for illegal use of state funds, Thuli now has to face the biggest challenge of her career: investigating – in the face of protests, death threats and legal challenges – the alleged systematic takeover of government by a private family in cahoots with the President.

Shameela Seedat’s directorial debut, Whispering Truth To Power won the Special Jury Prize at Hot Docs, North America’s most important documentary festival, for “its timely portrait of a bad-ass public servant who uses her office for good at a pivotal moment in South African politics.”

Special mentions:

:: Stroop: Journey into the Rhino Horn War (2018) won 26 awards, including Best of Festival at The International Wildlife Film Festival 2019, and was shortlisted for the Presenter and Impact awards at Jackson Wild 2019, arguably the Oscars of the wildlife film world

:: Pascale Lamche won the Directing Award at Sundance for Winnie (2017), a documentary on one of the most misunderstood contemporary female political figures, Winnie Madikizela Mandela

:: Liyana (2017), a genre-defying documentary about a storytelling workshop with South African Gcina Mhlope and five children in the Kingdom of Eswatini, won 35 international awards

:: Everything Must Fall (2019), Rehad Desai’s #feesmustfall documentary, won The Vaclav Havel Award at One World Human Rights Documentary Film Festival this year

Breakthrough film: Inxeba | The Wound (2017)

Directed by John Trengove, Inxeba tells the story of Xolani (Nakhane), a lonely factory worker, who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best-kept secret, Xolani’s entire existence begins to unravel.

Inxeba is one of the most talked-about South African movies of the last decade. Local cinemas were forced to cancel screenings after death threats and protests about its depiction of the secret Xhosa initiation ritual, then the Film and Publications Board Tribunal reclassified it as pornography (it’s not) after complaints from traditionalists, essentially banning it from mainstream cinemas. The classification was later overturned in the North Gauteng High Court.

I-D Magazine called it “the most important LGBT film you will see in 2018… through the character of Xolani we are introduced to a world where homosexuality is still simply not an option.” The excessive protests against the film laid bare the rampant homophobia that remains in parts of South Africa.

In addition to a 90% critics rating on Rotten Tomatoes, Inxeba was Oscar-shortlisted and won over 25 international awards, including the Sutherland Award for best first feature at the London Film Festival, the Grand Jury Award at LA Outfest, and Best Actor for Nakhane at Palm Springs.

Special mentions:

:: The feelgood Kenyan superhero film Supa Modo (2018) won over 50 international awards, including Best European Film For Children from the 2019 European Children's Film Association Awards and a Children's Jury Special Mention in the Generation 14Plus category at Berlin in 2018

:: Endgame, about the covert negotiations to end Apartheid, was nominated for a Golden Globe for Best Actor (Chiwetel Ejiofor) and an Emmy for Outstanding Made for Television Movie in 2010, among other honours

:: Kenyan film Kati Kati (2016) - described by The Playlist as “a condensed version of Lost” - won the Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery program at Toronto International Film Festival

:: Kenyan crime movie Nairobi Half Life (2012) won the Breakthrough Audience Award at AFI Fest for director David Tosh Gitonga

:: Stories of Our Lives (2014), an anthology of five short films about the queer experience in Kenya, won a Teddy Award at Berlin International Film Festival in 2015

:: Mrs Mandela (2010) earned Sophie Okonedo a BAFTA nomination for Best Actress for her performance as Winnie Madikizela Mandela

:: Kanarie, Schalk Bezuidenhout's breakout movie, was named one of Indiewire’s 14 Best LGBTQ International Films of 2018 and has a 100% critics rating on Rotten Tomatoes

 
Lottery Numbers in Film: The Winning Numbers


Over the years, the life-changing thrill of the lottery has proved to be a rich source of material for Hollywood. There are dozens of blockbuster movies in which the lottery and its winners are central to the plot, with the winnings leading to a mixture of euphoria, comedy, and romance for those lucky players. If you're in need of some inspiration this holiday season when it comes to picking the right numbers, then this well-worn movie trope could provide the answers. Here are the winning numbers from the most iconic lottery movies in the history of cinema.

1. It Could Happen to You: 06, 12, 16, 27, 48, 64

This heartwarming 1994 film starring Nicholas Cage and Bridget Fonda is based on a real-life incident in which a down-at-heel NYPD officer splits his $4 million lottery winnings with a waitress who he met the day before the draw. In both the film and real life, the winner promised the waitress half of the winnings on a lottery ticket because he couldn't afford to tip her, making this heartwarming tale one of the most well-deserved lottery wins in history.

2. Lucky Numbers: 22, 70, 16, 9, 27, 07

Of all of the iconic lotto numbers from movies, this film might just be the most hilarious. Starring John Travolta and Lisa Kudrow, the plot centres around a sleazy TV anchorman who needs money after an insurance scam gone wrong. To get it, he and his girlfriend (played by Kudrow) conspire to rig the Pennsylvania State Lottery, successfully scooping the $6.4 million prize. Of course, things don't entirely go to plan, as hilarity and misfortune ensue.

3. Waking Ned Devine: 19, 40, 04, 07, 25, 29

This critically acclaimed comedy is set in a small village on the Isle of Man, wherein one of the 40 inhabitants has won €7 million on the Irish Lottery. While the inhabitants are jovial at first, jealousy soon sets in and a number of harebrained schemes to grab a slice of the winnings follow. The low-budget film was a surprise smash-hit, grossing over $55 million worldwide and inspiring a Bollywood spin-off.

4. The Lottery Ticket: 04, 32, 33, 42, 45, 21

This 2010 comedy starring Bow Wow and Ice Cube centres around what happens in a low-income community when a man finds himself with a winning ticket for $370 million. At first, everything seems to be going well, until the protagonist (played by Bow Wow) soon realizes that all of his so-called friends are only being nice to him as means of grabbing a slice of his winnings. While the subject matter is serious stuff, the execution is lighthearted and hilarious, with a killer soundtrack to boot.

5. Paycheck: 17, 44, 04, 26, 37, 70, 22

This mind-bending 2003 sci-fi flick starring Ben Affleck follows a reverse engineer who bends time and space in order to create successful inventions before the actual inventors think them up. While the lottery is not a central part of the movie, it becomes a central plot point towards the end. You won't find spoilers here, so go and watch it and see for yourself.

These classic lottery films may be (mostly) fictional, but the numbers might transpire to some real-life winnings. Perhaps consider these if you're hoping for a big payday this Christmas.

 
Cinema vs Television: Scorsese, Lynch and Beyond


Martin Scorsese has been in the news lately. What seems to be set as a shoe-in this coming award season is his latest, The Irishman. Starring Robert De Niro, Al Pacino and Joe Pesci the epic crime drama has a stellar ensemble and who's who of gangster Hollywood. A strong genre film based on a book of the same name, which follows a mob hitman and his connection with labour union leader Jimmy Hoffer, the sprawling gangster picture clocks in at 3 1/2 hours.

While it probably had something to do with publicity in the weeks leading up to the release of The Irishman on Netflix, Scorsese was quite vocal about his feelings on the Marvel cinematic universe. Essentially dismissing the franchise's spectacle by likening it to a theme park ride, his remarks pressed buttons with fans of the box office blockbusters. While spectacular, imaginative and star-studded the CGI monoliths are very different from what a director like Martin Scorsese can bring to the party. One of Hollywood's's most respected filmmakers of all time, legendary Marvel producer Kevin Feige was almost resigned in his response to Scorsese's comments.

At 3.5 hours, The Irishman is one of his longest films yet and while compelling, it is a slog to endure the full duration in one sitting. The temptation to watch it in several parts is much stronger based on the fact that it has been released on Netflix, allowing more wiggle room when it comes to play and pause as opposed to conventional theatre. A meme doing the rounds giving audiences a handy four-part breakdown, and Netflix's insistence that the film only get a very limited theatrical release, has meant that many viewers would have watched it almost like a miniseries. Ironically, being a cinematic purist, Scorsese has now been tasked with maintaining that The Irishman is in fact a film and not a miniseries.

This irony and new streaming services have created a fascinating grey area. Roma, a film released on Netflix which did get a theatrical run was regarded as one of the year's best films receiving a number of awards during last year's award season. Rather niche, the black-and-white arthouse drama spent a year in the life of a maid in Mexico City. Far from mainstream, it was a surprising and even promising move from Netflix, something of a pioneer in the film industry. While raising many eyebrows, not just Robert De Niro's, The Irishman can almost be seen as a bit of a challenge and a disruptor in its wake.

Blurring the lines between what constitutes a cinematic feature film release as opposed to a straight-to-video TV movie, it's becoming increasingly difficult to make the distinction. Television is now in its golden age, in some cases matching cinema in every respect, almost forcing some re-evaluation. The boundaries have certainly shifted over the years and one great example of this is the return to Twin Peaks. The highly anticipated season three of Twin Peaks by writer-director David Lynch further muddied the waters. Releasing on Showtime, it has been argued that the TV series is in fact the best film of the last decade. With each episode winding up in a bar with a musical interlude, you could see how it would be easy to glue every episode together without the interludes to form one very long film.

David Lynch's Twin Peaks series was revolutionary at the time it first emerged, inspiring a number of other shows with similar elements and appetites. The filmmaker is or has been quite reluctant to delve too far into television, having only directed several of the original Twin Peaks episodes. His latest effort makes a great case study and example when it comes to trying to differentiate between television and film, having served as director from start to finish. Nowadays the crossovers are quite normal with many film actors becoming figureheads for long-running TV series. While there used to be a stigma attached to TV productions, the calibre and popularity of such shows is making it much easier and advantageous to associate.

Streaming services are giving viewers access to the latest and greatest from the comfort of their own home. While influential filmmakers like Martin Scorsese are being won over, one wonders what implications opting to release on the small screen could have in the long run. It's much more comfortable to watch from the comfort of your own home, yet with the wide spectrum of quality when it comes to home theatres, it may not be an optimal first point screening platform.

Moreover, taking these kind of screen gems away from theatres could further jeopardise the film industry from a financial point-of-view. While there is plenty of money to be made via streaming services at present, who are bending over backwards in order to create fast entertainment catalogues, one does wonder how long and sustainable this can be. While it's promising that many people are turning to streaming services instead of simply pirating content, it's difficult to comprehend how such small "family" subscription fees will be able to substitute for the cost of a movie ticket and be able to advance the industry. These radical changes are certainly turning things upside down, although as more streaming providers come to the party things are going to further complicate themselves.

 
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>

Page 6 of 297