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Confessions of a Gambler
Genre Drama
Year: 2007
 
Review:

Confessions of a Gambler is a film adaptation of Rayda Jacobs’s acclaimed novel of the same title. The story concerns a humble Muslim woman, who develops a gambling addiction when her son dies of Aids. This is an important film that has the creative finishes of Jacobs, but lacks the finesse of a bigger budget. Confessions of a Gambler still carries dramatic weight and serves as an honest, authentic and ironic take on life behind the veil. The translation into film retains much of what made the novel popular, although the emphasis is on her life in her forties rather than her twenties.

The film is shot with an eye for authenticity, rather than a high gloss. This choice was most probably a result of financial constraints, but gives Confessions of a Gambler a docudrama feel. The documentary elements make allowance for the insights into Muslim religion and Malay culture. Funeral preparations, religious rituals and day-to-day routines add depth to this rich tapestry. The drama revolves around contentious metanarrative themes relating to gambling, insurance fraud and Aids. Rayda Jacobs portrays Abeeda, the main character, who finds herself at a crossroads in terms of family, religion and addiction. Her descent into a private struggle shows how easy it is to lose control. Jacobs’s performance has a natural ebb and flow, which makes her role seem like a slice from her own life. Reality is woven into Confessions of a Gambler by limiting make up, shooting on-location, permitting bad language and relying on everyday faces as supporting actors and extras.

The story comes into its own, when Abeeda begins her downward spiral. Every facet of her life seems to complicate matters, and her relationships take strain. Her addiction begins with a R600 win, and seems realistic from day one. Confessions of a Gambler works on an intimate level. The suburban environment, closed spaces and neighbourhood make this snippet of life intimate. Abeeda’s journey is a mixed bag of good and bad times, but steers away from melodrama. Jacobs and Lane create a realistic balance of scenarios that never feel forced. Audiences will be captivated by the insightful foray into Cape Town culture, and the down-to-earth exposure of what goes on behind-the-scenes.

The bottom line: Honest.

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