Impunity (Freedom from Punishment) is a South African outlaw romance thriller based on a story by Trish Malone and adapted to film by director Jyoti Mistry. We trace the exploits of a love-struck, ultra-violent, on-the-run couple, who are connected to the murder of a politician's daughter, as Impunity tries to get by on titillation and experimental style.
This film is charged with violence as our "Natural Born Killers" meet at a bar, kill the abusive owner after a scuffle and then seem to drive each other into a primal, sex-fueled cross-country rampage. We're whisked from beautiful Kwazulu-Natal shores to hedonistic mayhem, as the visuals move from poetic-to-pornographic.
Impunity starts like Blue Lagoon with its determined and fearless co-leads, Alex McGregor and Bjorn Steinbach, arriving on a deserted beach only to engage in a sexual act, which will quickly determine whether you'll continue watching or not. While at first somewhat innocent, we soon realise these "nature-loving" co-conspirators are actually blood-spattered killers. Impunity gathers momentum as this love story turns Bonnie & Clyde ugly.
Alex McGregor carries the pretty-yet-dangerous tone of the film in a disconnected performance as Echo that parallels aspects from Scarlett Johansson's role in Under the Skin. While borderline exploitative, she does what she can with a mysterious character who doesn't seem to become any clearer with time.
Bjorn Steinbach rides shotgun to McGregor as Derren. He completes a handsome couple, but also suffers from vague out-from-the-cold characterisation. Their on-screen synergy propels Impunity, but keeps us at a distance as we never feel any closer to connecting with their animalistic personalities.
"Damn it woman, I said the red wig."
While Mistry seem intent on tapping into, and making a comment on South Africa's culture of violence and questionable justice system with CCTV footage, the script is underdeveloped and doesn't have enough weight to complete this thought.
Our lead characters have very little history or substance, making it difficult to figure out what's really motivating them. We're always on the outside and just as their trail of life juice and blood seems to evaporate, we're handed over to the authorities as the story shifts gear and introduces a political angle as two detectives also try to figure out what's going on.
Desmond Dube and Vaneshran Arumugam arrive on the scene to add some experience and story glue as two detectives, but take over to the point that Impunity could have gone for a The Disappearance of Eleanor Rigby multi-perspective format.
Impunity has bite and potential, drawing on our country's beauty, themes of criminality and a classic thriller concept, but it's thwarted by "documentary" style camerawork, major perspective shifts and awkwardly gratuitous exploits. To make matters worse, it comes in the wake of Andrew Worsdale's much more convincing and grounded, Durban Poison.
Spling reviews The Man from UNCLE, Paper Towns and Still Alice as broadcast on Talking Movies, Fine Music Radio. Catch Talking Movies on Fridays at 8:20am and Saturdays at 8:15am every week on Fine Music Radio.
The Man from U.N.C.L.E. is now a Guy Ritchie film adaptation of the cult TV series of the same name, which ran from 1964 to 1968. Ian Fleming contributed to the show's concept by suggesting a TV-friendly version of James Bond, which became Napoleon Solo. While Solo was intended to be the main focus, Illya Kuryakin's unexpected popularity led him to become a co-star. This pairing is resurrected by Henry Cavill and Armie Hammer for the 2015 movie, in which they're recruited to thwart a nuclear weapon plot.
Cavill's take on Solo is schmarmy. Instead of simply being charming and sophisticated with a weakness for beautiful women, essentially a Bond Lite, he's got a Mad Men affectation, aiming for Jon Hamm complexity and parachuting into John Stamos country. While consistent and easy-on-the-eye, it's yet another robotic performance, lacking genuine charm, weight and warmth.
He stars opposite Armie Hammer, playing a character intended to be his antithesis. While Hammer was a double-vision presence in The Social Network, he's also poised similarly to Cavill - blessed with film star looks but still in search of a signature performance to anchor his career. Unfortunately, The Man from U.N.C.L.E. will not be that role, as Hammer also doesn't seem fully geared toward action or comedy.
That's the problem with Guy Ritchie's The Man from U.N.C.L.E. While it looks stylish, sophisticated and sexy... it lacks substance and is too cold-blooded to appease fans of the original series or lure new recruits. As spy-fi, it never really gives you the wink to say this is an action, comedy or both. While it aspires to a Mr. & Mrs. Smith tone with Alicia Vikander chiming in from time-to-time, we never feel in on the joke and the action is lethargic to non-existent.
"Upon my word... your taste is extraordinary."
Everything about The Man from U.N.C.L.E. feels decidedly vanilla. The only inspired bit of casting comes in the form of Hugh Grant, who's undersold, and while everyone looks like movie stars... we're constantly waiting for someone with real film star quality to show up. The generic nuclear warheads and a makeshift United Nations type secret service story is uninspired and while they hint at a buddy movie, the competitive chemistry doesn't generate the spark this movie so desperately needed.
Guy Ritchie thought he could pull a Tarantino, harnessing spaghetti Western influences and trying to revive two stars whose careers have failed to launch, at least in terms of critical acclaim. While it's a valiant effort, it recalls Michael Mann's take on Miami Vice, where even the noblest intentions weren't enough to give the film real substance and clout. The end result is that they lean heavily on style and production values to distract us from a thin story, flat characters and numb performances.
If you focus on the film's superficial qualities and don't scratch below the surface, you'll survive. You'll know when you should laugh, you'll know when you should be exhilarated and your eyes will be constantly engaged. There may not be an honest moment in The Man from U.N.C.L.E., but avoid scratching the surface and things will go just swimmingly.
Gambling films first hit our screens when Western films featured them so heavily. However, it wasn't until Steve McQueen starred in the iconic Cincinnati Kid back in 1965 that they really make a mark on the film industry. From then on, Hollywood produced a steady stream of films showcasing the glitz and glamour of Las Vegas casinos.
The more mainstream, big budget films brought us the likes of James Bond, the English secret agent who often threw down huge wagers against his villainous counterparts. There was also the suave Danny Ocean in the Ocean’s trilogy played by George Clooney. But who are 3 of the most memorable characters that appeared in some of the lower budget films over the years? Read on to find out…
1. Lester “Worm” Murphy (Ed Norton, Rounders)
Rounders has turned into somewhat of a cult classic over the years. The film starring Matt Damon, John Malkovich and Famke Janssen also featured the enigmatic Ed Norton as Worm. For the most part, Worm was the unreliable gambling addict who had just been released from prison. The story sees Worm drag his friend Mike McDermott (Matt Damon) back into the underworld of poker, run by the notorious KGB.
Norton's flair for playing the unpredictable has got him to where he is today, and, as Worm, he's at his very best. Worm is the friend that you want to help but you know you really shouldn't. And Mike certainly finds out the hard way in Rounders.
2. Jim Bennett (Mark Wahlberg, The Gambler)
It could be argued that Wahlberg didn’t get the credit he deserved for playing the hapless, Jim Bennett in The Gambler. It was a chance for Wahlberg to showcase his versatility as an actor that we seldom see. With this role he plays a failing English professor who is relying on his wealthy mother to get him out of trouble after lending countless amounts of money from loan sharks due to his insatiable lust for high stakes gambling.
Okay, so we cheated a little bit including a character from Casino, but how could you construct a list and leave out Nicky Santoro played by the untouchable-at-the-time, Joe Pesci. The beauty of this was Santoro's psychotic nature – his inability to control his feelings when anyone disrespected him even in the slightest. It will forever go down as Pesci's most memorable performance and for that reason alone; he couldn’t be missed off this list.
With films now more accessible than ever, many are looking to watch their favorite genres via new streaming platforms such as Netflix, where shows can be ported straight to iPads and iPhones or even the latest Androids. The accessibility is boundless now, and popular films are being showcased in the strangest of ways. Cosplayers actively dress up as various DC and Marvel characters, while films like Jurassic Park and Terminator are celebrated through Slots on Spin Genie and other virtual casino portals, and frankly the list goes on when it comes to commemorating the art of film-making
The film industry has never been stronger, and its commercial reach has never been so vast. You've read our list above, so make sure you jog your memory by reliving the wonders of Worm, Nicky Santoro and Jim Bennett onscreen when you next get some free time.