Anel Alexander is an award-winning South African actress and producer, whose range and series of nuanced performances aren't just turning heads, but making her a respected and highly sought-after talent.
Anel started her professional career while studying Drama at the University of Pretoria, appearing in a number of musicals including: The Witness, Jesu - An African Portrait and Blondes, before being snapped up to play Liesl in local TV drama, 7de Laan. While Alexander has a love for theatre and musicals, she's most passionate about film, a medium that she's conquering both on-screen as an actress and behind-the-scenes with her production company.
She co-starred in Discreet, a stage-to-film adaptation, played the leading lady in the "romcom" box office sensation Semi-Soet,recently won a kykNET Silverskermfees award for her supporting role in Faan se Trein and is set to star in and produce Sink. Alexander's company, Scramble Productions, is gearing up to go into production for this hard-hitting drama about a Mozambican maid working in Johannesburg, who is forced to make a life-changing decision after her daughter drowns.
While she's at the forefront of the South African film industry, Anel makes a point of finding a balance between work and play. We caught up with the talented actress and producer to get her Top Ten Movies interview...
"In my next life I will be a Broadway musical theatre star."
I can't watch movies without...
- At home I can't watch movies without my hunky husband, actor James Alexander, my 2 doggies Jozi and Oscar... yes, we called our dog Oscar so that we could tell our friends we have an Oscar, and a fluffy blanket. But when I go to the cinema it's all about the popcorn!
Which famous people share your birthday?
- After Googling famous birthdays on 26 November, the only name I recognized was Tina Turner. So apparently not many famous people were born on the 26th of November, or I'm just not smart or cool enough to recognize their names. Oh, and Charles M. Schultz, the guy that created Peanuts. That’s worth a mention.
What is the first film you remember watching?
- The first film I remember watching was Bambi. Actually, I don’t really remember watching the film but I do remember being profoundly profoundly upset about the fact that Bambi's mother died.
What's the worst movie you've ever seen?
- It is a local movie and since I hope to have a long and prosperous career as an actress and a producer in the SA film industry, I would rather not mention any names...
Which movies have made you tearful?
- The first movie I remember crying in was Steel Magnolias. But after that, my top tearjerker is definitely Hachiko. If you are a dog person, you will get it. That movie broke me for days. I remember being at the gym the next day and just starting to bawl. I don't even cry in front of people I know! Had to SMS a fellow dog lover to get some sympathy. To this day when I see it on DSTV, I immediately have to change the channel!
Who is the most famous movie star you've ever met?
- Definitely James Alexander. He has acted with Claire Danes, Benedict Cumberbatch, Charles Dance, Andrew Lincoln to name a few. So by association I would like to believe that I've "met" all those movie stars.
What's your favourite movie line?
- "Life is like a box of chocolates, you never know what you gonna get." – Forrest Gump
Who would you choose to play you in your biopic?
- I shot a chip commercial in Germany a few years ago and the whole week the Austrian make-up artist and the Italian wardrobe guy would tell me how much I looked like "Carly Saron". So they kept calling me "Carly Saron" all the time. Later in the week I figured out that they were actually saying "Charlize Theron", so I guess I would get old Charlize to play me.
If you could produce a movie, what would it be about?
- It would be about a prostitute and a conservative young man talking about love, life and faith and honesty and... wait, I've made that one. Uhm, it would be a fun "romcom" about a girl hiring a fake fiancé to save her job... also been there done that. Can't say too much about our third that's going into pre-production soon, but the dream film I want to produce one day: An Afrikaans magic realism film. Think Amelie but shot in the Karoo or some arb town like Koffiefontein with people speaking the 'taal'.
Finally, your top ten movies of all-time...
Movies are my happy place and I love too many movies to choose just 10, so I've tried to categorize them to make choosing a bit easier.
- Life is Beautiful (Foreign Film) ...I do what I do because I believe in the power of the medium of media, whether that be movies, theatre, magazines, radio or whatever. I believe in the power that media has to reach people, to challenge audiences and to spread and change ideologies. I have always had a desire to use that power for good, and that is exactly what a film like Life is Beautiful did. The message is profound, the acting and execution exquisite and no person with a heart that has seen that movie was left untouched.
- Amelie (Magic Realism) ...I love the genre, the quirkiness and the language. I think it was the first time I was fully exposed to magical realism and I was hooked from the first frame. I knew that one day I wanted to make something like THAT!
- Eternal Sunshine of the Spotless Mind (Genre-defying) ...I remember watching this film and being so inspired by the possibilities that the medium of film opened up. The magic of making movies lies in the "what if" and this film used that device in such a poignant way.
- Sound of Music (Classic Film) ...is probably the film I have seen the most in my life. I want to say hundreds of times, but my husband always says I exaggerate, so let's just say as kids we watched it until the tape was stretched. I absolutely love musicals! In my next life I will be a Broadway musical theatre star. Sound of Music is the perfect, classical musical and therefore the perfect classic film.
- August: Osage County (Adaptation) ...I have not been so completely absorbed by a film in a long time as I was with this. The script, the casting, the performances, every element of this film was carefully crafted. The ensemble was so powerful it left me dazed for days afterwards. It reminded me of why I became an actress. And then of course the fact that it was mainly a female ensemble makes it extra cool in my books. I have a bit of a chip on my shoulder about Hollywood (and South Africa) being male dominated: male writers that write for male actors living in a male world... My mom’s a psychologist. I’m ok now.
- Chicago (Musical) ...notice the musical theme coming through? I literally belt out every single song when watching this. I want to be Velma or Roxy or even the girl third from the left so badly! The production design and costumes and just the way the musical was adapted for screen was brilliant. I've seen the musical on Broadway and in South Africa, and the film version does the stage show absolute justice and more.
- 21 Grams (Drama-Thriller) ...James and I went to visit a friend in LA that was studying at the USC School of Cinematic Arts. It was Oscar season and the students got to attend lectures by the 5 directors nominated for Best Directing. We were fortunate enough to hear Alejandro Gonzalez Inarritu speak about 21 Grams in person. By the time we eventually got to see the film, I was just blown away.
- Semi-Soet & Discreet (Local) ...these are my babies and any mother would be wrong if she didn't list them as her 'favourites'. Discreet was made at a time when nobody was really making films independently and it was one of the hardest things I've ever had to do... until we made Semi-Soet! But I’m incredibly proud of what both films achieved in the local film industry, raising the bar and moving boundaries for young, new film-makers to come.
- The Incredibles, Despicable Me, Finding Nemo (Animation) ...I'm a sucker for animation, the humor and life lessons that get portrayed to young and old through this timeless medium... just gets me every time.
- The Shawshank Redemption (Drama) ...enough said.
- La Vie En Rose ...and because I'm a girl I insist on having a freebie! Marion Cotillard's performance in this film has to be one of the most worthy Oscar-winning Best Actress awards ever!
Top Ten Movies with... is a people series on SPL!NG, featuring a host of celebrities ranging from up-and-coming to established personalities from all industries including, but not limited to: Internet, Radio, TV, Film, Music, Art and Entrepreneurs. It's a chance to discover who they are, find out where they're at and to get a fun inside look at their taste in movies.
Hard to Get echoes a similar passion and energy to the acclaimed Congolese crime thriller, Viva Riva. It's arguably South Africa's best action movie ever, powered by a similar sweaty, sexy and dangerous intensity on the back of world-class production values and surprisingly mature film-making for a number of feature film debuts.
We're blasted into a quick-paced action romance crime thriller in the style of Bonnie & Clyde as Skiets, a tough streetwise beauty, and TK, a self-professed ladykiller go on-the-run after stealing a local hoodlum Mugza's prized vehicle. After Skiets appears at a local township tavern on the arm of Mugza, TK steps in to help before the two find themselves on the road to Jozi.
Hard to Get grabs you from the get-go, brandishing great bit characters at every turn, with two incredibly charming co-leads. The unrequited chemistry between Skiets and TK is what fuels the burning romance at play. Skiets is not just another conquest for TK, which underlines the movie title as an on-the-run thriller and a play-by-play romance. At first, you imagine the subtext may be some sort of abstinence propaganda, which would be refreshing, but those thoughts fade soon enough.
Pallance Dladla was part of the crew that brought us Donovan Marsh's Reservoir Dogs style iNumber Number. Dladla's a handsome fellow, completely believable as a player and instantly likable as our hero. While we see things from his perspective, this is really the Thishiwe Ziqubu Show. Skiets is a strong female character, refreshingly so, and while they share equal billing - we know who's really calling the shots.
Dladla is a love fool, inadvertently falling for a seemingly unattainable woman, who draws him into her mysterious world. That enigmatic, unexplained spirit is what makes Ziqubu attractive and compelling. She's a drifter, living each day as it comes with a sense of wind-directed purpose. The two deliver fine and charming co-lead performances, which propel the action-adventure as they bounce from one boss to another.
"Babe, you can drive me... crazy... wherever, whenever."
Israel Makoe is quickly becoming the go-to gangster of South African cinema and with good reason. As an ex-gangster he has the chops, knows the lingo and can sell each part with great conviction. Having played prominent roles in Tsotsi, Four Corners, iNumber Number and now Hard to Get... he's a poster boy for South African crime drama thrillers. His sledgehammer size and strong presence is felt in Hard to Get as an intimidating, relentless and strangely comical hoodlum, Mugza.
Paka Zwedala is quite beautifully cast as Gumede, the wealthy businessman, who like a shark enters the fray with a bump. It's a quietly powerful performance that embodies Gumede's devious scheming, always plotting a couple of chess moves ahead of his opponent. The emphatic Jerry Mofokeng plays the bar owner Greezy, as yet another spirited and colourful character, adding some experience to an already strong ensemble.
The quickfire editing from Nick Costaros, Chris Letcher's driving urban soundtrack and Thuso Sibisi's snappy script support Zee Ntuli's slick vision for this gritty actioner. From dusty township back streets to the neon lights of downtown Joburg, Tom Marais adds weight, consistency and cinematic flair. We're wrapped up in the charm, wit and chemistry of the characters; entertained by the oily mix of tough action, offbeat comedy and unexpected horror; and fascinated by the snappy Bonnie & Clyde antics of our smooth criminal duo.
The nutty and lovable characters seem to exist in their own Wild West microcosm of South Africa, a law unto themselves. The lack of police presence and some more motivation for the hedonistic and reckless behaviour of our heroes would have added more weight to Hard to Get. Yet, these factors seem a little petty and ungrateful against the film's far-reaching strengths.
Hard to Get relies on subtitles, making the prospect of another Hollywood style remake seem inevitable. It's promising to see such a high-calibre action romance film emerging from South Africa. This is a must-see, the sort of movie that will capture the imagination of budding SA film-makers. It showcases what's possible, harnesses the genre in a fresh way and will contribute to changing the face of South African cinema.
Born to Win comes to us from writer-director Frans Cronjé, who brought us Faith Like Potatoes and Hansie. If you've seen any of his films you'll have a good idea of what to expect from his latest faith-based coming-of-age drama. Each of Cronjé's films deal with real-life Job characters, who face great personal challenges and adversity only to rise above their circumstances. It's a story that Cronjé identifies with and one that he manages to tell with great heart again and again in his inspiring films.
Born to Win charts the life story of Leon Terblanche, a reluctant pilgrim whose tough childhood and difficult home life impacted his eventual marriage, family and relationship with God. While it starts with Leon as a child, abandoned and separated from his family, we quickly catch up to the adult Terblanche in his college days and ensuing marriage and career as he rekindles his faith.
Terblanche is played by Greg Kriek, who could be Neil Patrick Harris's long lost, good-looking brother. Kriek is a rising star and delivers a solid lead performance, proving to be a likable, sincere and vulnerable every man. He's the tent pole for an ensemble of promising to mixed performances and carries the drama's integrity with great heart.
Kriek is supported by Leoné Pienaar as Elmarie, his dedicated wife, who while not quite as effortless, gives her character a jaded disposition and a convincing air of disappointment with the struggling marriage. Marie Cronjé completes the family unit as Brigitte, their daughter, delivering a quiet, sincere and emotionally intelligent performance in a key role. Cobus Venter chimes in as Leon's best friend, Henco, participating in most of the film's lighter moments and echoing a natural easy-going and naive Jason Segel.
"Stop! In the name of love."
While overtly Christian, this coming-of-age message movie functions as a moving and powerful testimony, with many parallels to The Perfect Wave. It's an unashamed tearjerker, which will reach the hearts of even the most hardened cynics with its blend of real-life adversities and setbacks. While the emotional aspect of the storytelling is a core focus, it overextends into a maudlin tone. While this sentimental purge will hit home for many audiences, it does become a bit cloying.
If it weren't based on a true story, Born to Win might come across as somewhat contrived. We've got to take the story on its own terms as a homegrown message from the heart. Apart from a few minor sound editing and wardrobe issues, Born to Win has good production values, making the most of its resources.
While you get the impression the film-makers tried to be as subtle as possible with the visions, representing God as a person or voice will always tend to feel inauthentic. Unfortunately, these transcendent dream moments, while beautiful, didn't really feel nested in the story.
Born to Win is trying to reach new audiences with its message, but will fare best with church-going folk, making it a case of preaching to (or re-affirming) the choir. It probably won't give Leon Terblanche the same status as Angus Buchan from Faith Like Potatoes, yet will serve as a powerful testimony to those needing hope in difficult times. Born to Win will break your heart, but it won't steal it.
The Expendables is a concept that just won't die. As long as action heroes continue to lose their box office mojo and Stallone is able to wear a beret, we'll have The Expendables: even if they eventually turn him into a digital mission control entity. We're indebted to Rambo, Commando and all the muscle man action heroes from the '80s and by denying them, we're essentially crushing our childhood.
While, ironically, The Expendables series is regarded as a step up from Step Up... both have a pretty similar formula. Instead of dance sequences, it's action... making real acting and story, not as important as just showing up. The heroes are coasting on their collective careers instead of trying to inject any real life into their thinly scripted characters and it's mostly about blowing stuff up, lacing camaraderie around Jason Statham smirking and some cheesy one-liners.
It's fun to see the Old Guard give one last charge with a wink-wink here and a wink-wink there, here a wink, there a wink, everywhere a wink-wink. We're compelled by the fact that we're not watching zombies, but living and breathing hard men approaching the age of 70. The first one seemed like a desperate money grab, but whichever way you look at it, it's still appealing to think of all these former glory guys banding together.
The Expendables 2 was the best of the lot. They learned some lessons from the first one, toning down the violence, polishing the comedy, developing the story into a Seven Samurai stand-off and adding some extra muscle in Jean-Claude Van Damme and Chuck Norris. Unfortunately, The Expendables 3 is a step back for the series. This, despite adding the likes of Harrison Ford, Wesley Snipes, Antonio Banderas, Kellan Lutz, Mel Gibson and even Kelsey Grammer to the bill!
The new movie from Stallone has the muscle and some exhilarating action sequences, but fails to capture our imagination, derailing the present company, building on two-dimensional characters and lacking the tongue-in-cheek spirit of the first two. The Expendables 3 is a story of two book-ends. While it starts with aplomb and ends with a bang, everything in-between seems dull, laboured and no-fun.
"Is there a "Kick Me" sign on my back? I said NO smiley faces!"
Beyond being a former glory money-spinner, The Expendables 3 seems like a sell-out as Barney Ross (Stallone) sets out to recruit a new task force to lay siege to an old rival after a botched mission. We're there to see the faithful die-hards ribbing each other about getting old, while upping the body count. By dedicating a large portion of the film to the cheaper new talent, it just seems like a half-hearted reboot, wrapped in an Expendables flag.
Perhaps it was a budget thing, maybe Stallone is priming the franchise for longevity, perhaps the real battle was between Stallone blooding Red Hill director Patrick Hughes, or perhaps they're leaning on the young ones to do the heavy duty action. Either way it just doesn't feel right and the new talent headed by Kellan Lutz and Ronda Rousey, while promising, pales in comparison to their experienced counterparts.
The burgeoning good guys ensemble are pitted against a devious Conrad Stonebanks, played by Mel Gibson, and his army of stunt henchmen. While there are a couple of inside jokes, The Expendables 3isn't nearly as funny as its predecessors. Antonio Banderas almost works as the new recruit, mixingShrek's Donkey and Puss in Boots into one jabbering, quick-on-the-draw character. However, it mostly falls flat.
The Expendables 3 is a disappointing follow-up to The Expendables 2. It's not easy wielding a small army of egos and if anyone can do it, Stallone has the clout. Yet, this one feels like it went into production too quickly... possibly to make sure no one died of natural causes before release, to squeeze a fourth one out before retirement or because it's coasting on the relative success of two former films and a number of careers.